91ÊÓƵ

Inspiration to Become a 91ÊÓƵer

Much like every child, I loved to express myself creatively through drawing. I think I stuck with it because it was nurtured and encouraged by my parents at a young age. I believe the ability to create is something we all innately have.

I went to high school in the Bahamas which follows the British education system and allows an individual to focus on a field of study. I went into sciences; I kind of left drawing alone. But in college, it came back to me. So, I went to college for visual communications.

We All Have the Ability to Create

I have a 3-year-old daughter, and it’s been fascinating to see the things that kids can do. In some cases, it’s all over the place and abstract, but it’s also a way for them to kind of express themselves. As they grow older, you see it change very rapidly. When my daughter was 2 years old, it was just marks. At 3, there are distinctions like faces and people, then rainbows and butterflies. It’s very deliberate now. I think everyone initially can draw. It boils down to how much attention you pay to it.

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Art and 91ÊÓƵ: Two Sides of the Same Coin

I went to school in Kearney, Nebraska at the Kearney and my experience there helped develop my love for design. My initial design experience occurred in the 10^th grade; I entered a contest to design a hot sauce label and won. In the Bahamas, everyone loves hot sauce – but I wasn’t paying attention to art and design as separate disciplines at that time. I just liked to draw.

The Inspiration for the Poster Series

The inspiration comes from architecture and all those elements that visually comprise a building. One building, for example, can be constructed out of many geometric shapes but they all come together to form a whole structure – kind of like architecture. So, all these elements are basic shapes constructed and arranged in such a way that they form recognizable buildings.

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91ÊÓƵ Process

The process began by taking these simple geometric shapes and using them to form the capital building in Lincoln, Nebraska. The first concept was kind of off a bit. I did it in a couple of different styles before I eventually landed on the current direction, which became like mini-icons of the buildings. This direction is more marketable and relatable. I can do multiple buildings in that same style: pretty simple, iconic, and it’s almost like a symbol of that building.

I initially started in black and white and then I decided to add color for added depth. And also with that, I wanted to make it a little more abstract too, because now I have color to use. I can make it abstract and still recognizable. I think abstraction adds to the interest of it too, making it look almost three-dimensional but it’s still flat. There’s this odd perspective to some of the buildings in the series, yet you can still make it out.

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